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Three Chords and the Truth
Aart de Geus and Synopsys go Quick to Four (Kevin Morris)
Twelve Bar Blues is structured improvisation. A standard twelve-measure chord progression repeats tirelessly, and the experienced blues musician lays his soul over this monotonous harmonic structure like a fine linen drapery. Aart de Geus, President, CEO, and Co-Founder of Synopsys, the world’s second largest electronic design automation (EDA) company, is also an accomplished blues guitarist.
Blues in C
I (C) Measures 1-4:
The tonic orients the ear, providing a firm foundation of reference. In traditional blues, it is repeated for the first four bars of the sequence, setting up “home base” for the listener’s mind. When Aart de Geus co-founded Synopsys over two decades ago, logic synthesis was the tonic - the root chord upon which the engineering-centric company was founded. Logic synthesis set the key values of creativity, learning, and technological innovation that hardened the fledgling company so that it could survive and thrive in the tempestuous torments of two decades of The Moore’s Law blues.
“I played guitar starting around 14 years old,” begins de Geus. “It was very much around the campfire, scouts, gospel, Bob Dylan – those types of things. Then, somewhat by accident, I went to a couple of great blues concerts in Switzerland, where I grew up. It just hit me – a guy by the name of T-bone Walker, who was considered one of the fathers of Blues, was performing there. It was a big concert, not a small venue like a bar or anything, and after that I really never played anything else.”
De Geus may have found the Blues by accident, but he knew it felt right as soon as he was there. When we asked how he came to choose electronic design automation as a career, the answer sounded familiar.
“I think many things have been accidental. When I was in Switzerland, working on my Master’s thesis, I did some design, and I needed to figure out if it would work. It’s a little embarrassing – I didn’t realize that simulators existed and so I wrote my own during my Master’s thesis. Later, I was working on my PhD and in parallel working at General Electric. I just sort of slid into the EDA side because of the job I had and because of the advisor I had.” [more]
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